PRESENCE - Volume 86

Inspiration For Guitarists

You've drilled the scale a hundred times. Your fingers know exactly where to go. And it still sounds like a scale.

Or maybe it's this: fast passages feel like a grind instead of a glide, and the whole time you're playing you feel like you're working really hard, like you just had a workout instead of played a guitar.


Perhaps it's the broader feeling that you're putting in real hours, week after week, and your playing isn't moving forward as fast as the time you're spending would suggest it should.

I see both of these constantly, and they trace back to the same root problem. Most guitarists think that when they practice, they're training their fingers. That's maybe 10% of what's actually happening. The other 90% is training your mind.

 Your fingers are just following orders. The real work, the thing that actually determines whether you sound musical and whether you play with ease, is happening in your mind before you ever touch a string.

Here's how that shows up in the two problems I mentioned above.

Problem 1: Scales that sound like scales, not music

When you practice a scale focused on your fingers. Which fret, which string, which shape? You're rehearsing a physical pattern, not rehearsing a sound. So when it's time to play a phrase, your hands default to the pattern they know, and it comes out sounding exactly like what it is: a scale shape, not a melody. 

The fix isn't a new scale exercise. It's a shift in attention. You need to change your mindset from "where do my fingers go" to "what does this note sound like, and what's the next note going to sound like." You're training your ear to lead and your fingers to follow, instead of the other way around.

Problem 2: The death grip

This one's almost always invisible to the player doing it. You're so locked in on hitting the right notes clean that you never check in on how hard you're pressing. And if you're fretting harder than you need to just to get a clear note, you're wasting energy, and stiffening the very hands you need to stay nimble.

This one has the same fix, paying attention, but to a different target. Not "am I playing the right note" but "how much effort am I using to play it."

The practice

Neither of these gets fixed by more hours of drilling. They get fixed by paying attention to something you're currently not paying attention to. 

So here's what I want you to try. Before your next practice session, set one intention to start:

Either "I'm going to try to hear what I'm about to play before I play it,"

or "I'm going to notice how hard I'm pressing and see if I can play lighter."

Then check in on it every few minutes. Not obsessively but just enough to notice if you've drifted back to autopilot.

Give it a week with one. Then, if you want, add the second. A month of this kind of attention will change your playing more than a month of scale drills ever will.

-Dustin


P.S. If you want to start packing your own backup case, the fundamentals that show up for you when it counts, that's exactly what the Essential Skills course is built to do.

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PRESENCE - Volume 85